What Book Is Chief Reading to Eleven in 2nd Series Episode 3

Season of goggle box serial

Season of telly series

Stranger Things
Season one
Promotional poster
Starring	Winona Ryder David Harbour Finn Wolfhard Millie Bobby Brown Gaten Matarazzo Caleb McLaughlin Natalia Dyer Charlie Heaton Cara Buono Matthew Modine
Land of origin	U.s.
No. of episodes	viii
Release
Original network	Netflix
Original release	July 15, 2016 (2016-07-15)
Season chronology
Next → Season 2
List of episodes

The first flavor of the American science fiction horror drama television serial Stranger Things premiered worldwide exclusively via Netflix's streaming service on July 15, 2016.^[1] The series was created past The Duffer Brothers who are also executive producers along with Shawn Levy, and Dan Cohen.

The first season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received universal acclamation, particularly for its originality, characterization, visuals, humor, and acting (particularly that of Ryder, Harbour, Wolfhard, Brown, and Modine).

Premise [edit]

The outset flavor begins in Nov 1983, when researchers at Hawkins National Laboratory open up a rift to the "Upside Downwards", an alternate dimension that reflects onto the existent world. A monstrous humanoid animate being escapes and abducts a boy named Will Byers and a teenage girl named Barbara Kingdom of the netherlands. Will'southward mother, Joyce, and the town'south police primary, Jim Hopper, search for Volition. At the same time, a young psychokinetic girl who goes by the proper noun "Xi" escapes from the laboratory and assists Will's friends, Mike, Dustin, and Lucas, in their own efforts to find Will.^[2]

Cast and characters [edit]

Master cast [edit]

• Winona Ryder equally Joyce Byers^[iii]
• David Harbour as Jim Hopper^[3]
• Finn Wolfhard every bit Mike Wheeler^[4]
• Millie Bobby Dark-brown^[4] as Xi ("El")
• Gaten Matarazzo as Dustin Henderson^[4]
• Caleb McLaughlin every bit Lucas Sinclair^[4]
• Natalia Dyer as Nancy Wheeler^[4]
• Charlie Heaton every bit Jonathan Byers^[4]
• Cara Buono equally Karen Wheeler^[5]
• Matthew Modine as Martin Brenner^[6]

Recurring [edit]

• Joe Keery as Steve Harrington^{[7] [8]}
• Shannon Purser every bit Barbara "Barb" Holland^[ix]
• Noah Schnapp as Volition Byers
• Ross Partridge equally Lonnie Byers^[x]
• Rob Morgan equally Officer Powell
• John Paul Reynolds every bit Officer Callahan
• Randall P. Havens as Scott Clarke
• Aimee Mullins as Terry Ives^[11]
• Catherine Dyer as Connie Frazier
• Peyton Wich every bit Troy^[12]
• Cade Jones as James
• Chester Rushing as Tommy H.
• Chelsea Talmadge every bit Carol
• Tinsley and Anniston Toll as Holly Wheeler
• Chris Sullivan every bit Benny Hammond
• Tobias Jelinek every bit lead amanuensis
• Susan Shalhoub Larkin as Florence ("Flo")

Episodes [edit]

Production [edit]

Development [edit]

Ross (left) and Matt Duffer, the creators of the series

Stranger Things was created past Matt and Ross Duffer, known professionally as The Duffer Brothers.^[13] The two had completed writing and producing their 2015 picture Hidden, which they had tried to emulate the manner of Thousand. Nighttime Shyamalan, all the same, due to changes at Warner Bros., its benefactor, the film did not encounter a wide release and the Duffers were unsure of their future.^[14] To their surprise, television producer Donald De Line approached them, impressed with Hidden 's script, and offered them the opportunity to work on episodes of Wayward Pines aslope Shyamalan. The brothers were mentored by Shyamalan during the episode's production, so that when they finished, they felt they were ready to produce their own television series.^[xv]

The Duffer Brothers prepared a script that would essentially be similar to the series' actual airplane pilot episode, along with a 20-page pitch book to aid shop the series around for a network.^[xvi] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would non piece of work, asking them to make it a children's testify or to drop the children and focus on Hopper's investigation in the paranormal.^[15] In early on 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the airplane pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;^[17] the evidence was afterwards announced for a planned 2016 release by Netflix in early April 2015.^[18] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange is the New Black, with well-recognized producers backside them, and were ready to start giving upcoming producers similar them a chance.^[xvi] The brothers started to write out the series and brought Levy and Cohen in equally executive producers to commencement casting and filming.^[nineteen]

The series was originally known every bit Montauk, equally the setting of the script was in Montauk, New York and nearby Long Beach locations.^{[18] [xx]} The brothers had chosen Montauk as it had farther Spielberg ties with the motion picture Jaws, where Montauk was used for the fictional setting of Amity Isle.^[21] After deciding to change the narrative of the series to take identify in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such every bit placing information technology under quarantine, that they actually could non envision with a real location.^[21] With the change in location, they had to come with a new championship for the serial under direction from Netflix's Ted Sarandos so that they could beginning marketing information technology to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title'south font and appearance, and came upwards with a long list of potential alternatives. Stranger Things came about as information technology sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.^[22]

Writing [edit]

The thought of Stranger Things started with how the brothers felt they could have the concept of the 2013 flick Prisoners, detailing the moral struggles a begetter goes through when his daughter is kidnapped, and expand it out over eight or and so hours in a serialized television approach. Every bit they focused on the missing kid aspect of the story, they wanted to innovate the thought of "childlike sensibilities" they could offer, and toyed effectually with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the all-time affair ever". To introduce this monster into the narrative, they considered "baroque experiments we had read about taking place in the Cold State of war" such as Projection MKUltra, which gave a way to footing the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time flow, as it was a twelvemonth before the film Red Dawn came out, which focused on Cold War paranoia.^[15] Subsequently, they were able to utilize all their ain personal inspirations from the 1980s, the decade they were born, as elements of the series,^{[15] [23]} crafting information technology in the realm of science fiction and horror.^[24] The Duffer Brothers have cited equally influence for the bear witness (among others): Stephen King novels; films produced past Steven Spielberg, John Carpenter, Wes Chicken, Robert Zemeckis, George Lucas and Guillermo del Toro; films such equally Alien and Stand up past Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Terminal of Usa.^{[22] [25] [26] [27] [28] [29] [thirty] [31] [32]}

With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the 8-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes immune them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror moving picture as shortly as the monster was introduced and abandon the characterization.^[16] Within the eight episodes, the brothers aimed to brand the get-go season "feel like a big movie" with all the major plot lines completed so that "the audition feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the finish", something that could be explored in farther seasons if Netflix opted to create more.^[33]

Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it piece of cake to write for Mike and his friends, and particularly for Barb.^[22] Joyce was fashioned subsequently Richard Dreyfuss's character Roy Neary in Close Encounters of the Tertiary Kind, equally she appears "absolutely bonkers" to everyone else every bit she tries to detect Will.^[34] Other characters, such as Baton in the 2nd season, accept more than villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really groovy human being villains" that may be more malicious than the supernatural evil.^[35]

Casting [edit]

The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work.

In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and every bit the unnamed main of police, respectively.^[iii] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her predominance in 1980s films.^[15] Levy believed Ryder could "wretch upwardly the emotional urgency and all the same detect layers and dash and different sides of [Joyce]". Ryder praised that the show'southward multiple storylines required her to act for Joyce as "she's out of her mind, merely she's really kind of onto something", and that the producers had faith she could pull off the difficult part.^[36] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting besides long for this opportunity" to play a atomic number 82, while Harbour himself was thrilled by the script and the run a risk to play "a broken, flawed, anti-hero graphic symbol".^{[22] [37]}

Additional casting followed 2 months afterward with Finn Wolfhard as Mike, Millie Bobby Brownish in an undisclosed function, Gaten Matarazzo as Dustin, Riley Schmidt equally Sarah, Caleb McLaughlin as Lucas, Natalia Dyer as Nancy, and Charlie Heaton every bit Jonathan.^[four] In September 2015, Cara Buono joined the cast as Karen,^[5] followed by Matthew Modine every bit Martin Brenner a month later on.^[6] Additional bandage who recur for the first flavour include Noah Schnapp as Will,^{[4] [8]} Shannon Purser every bit Barbara "Barb" Holland,^[9] Joe Keery every bit Steve Harrington,^{[7] [8]} and Ross Partridge equally Lonnie,^[10] amongst others.

Actors auditioning for the children roles read lines from Stand up Past Me.^[15] The Duffer Brothers estimated they went through about a thousand dissimilar child actors for the roles. They noted that Wolfhard was already "a picture buff" of the films from the 1980s period and easily filled the office, while they plant Matarazzo's audition to be much more authentic than virtually of the other audition tapes, and selected him after a unmarried viewing of his audience record.^[16] Equally casting was started immediately afterwards Netflix greenlit the show, and prior to the scripts beingness fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Volition and his friends had been done just after the commencement script was completed, and subsequent scripts incorporated aspects from these actors.^[33] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest grapheme to write for given his limited appearances within the narrative.^[34]

Filming [edit]

The brothers had desired to film the series around the Long Island area to friction match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and effectually the Atlanta, Georgia area. The brothers, who grew upwardly in North Carolina, found many places that reminded them of their own childhoods in that surface area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.^[21]

The filming of the beginning season began on September 25, 2015 and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.^[38] Jackson served as the basis of the fictional town of Hawkins, Indiana.^{[39] [40]} Other shooting locations included the Georgia Mental Health Plant every bit the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,^[41] Emory University's Continuing Didactics Department, the erstwhile urban center hall in Douglasville, Georgia, Georgia International Equus caballus Park, the probate court in Butts County, Georgia, Erstwhile East Point Library and Eastward Betoken First Baptist Church building in East Point, Georgia, Fayetteville, Georgia, Rock Mountain Park, Palmetto, Georgia, and Winston, Georgia.^[42] Set work was done at Screen Jewel Studios in Atlanta.^[42] The serial was filmed with a Crimson Dragon digital camera.^[34] Filming for the first season concluded in early on 2016.^[39]

While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the piece of work with these references, but instead make the series seem to the viewer as a 1980s film.^[22] They spent piffling time reviewing those works and instead went past memory. Matt further recognized that some of their filming homages were non purposely washed but were establish to be very comparable, as highlighted by a fan-made video comparison the show to several 1980s works adjacent.^{[15] [43]} Matt commented on the video that "Some were deliberate and some were subconscious."^[15] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their goggle box set, and imbuing it with something otherworldly", leading to the idea of using the Christmas low-cal strings for Will to communicate with Joyce.^[22]

The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.^[15] Lynda Reiss, the head of props, had about a $220,000 budget, similar to nearly films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and manor sales effectually the Atlanta surface area. The bulk of the props were original items from the 1980s with only a few pieces, such every bit the Dungeons & Dragons books fabricated as replicas.^[44]

Visual furnishings [edit]

To create the aged effect for the serial, a film grain was added over the footage, which was captured past scanning in motion-picture show stock from the 1980s.^[34] The Duffers wanted to scare the audience, but not to necessarily brand the show violent or gory, following in line with how the 1980s Amblin Entertainment films collection the creation of the PG-13 picture show rating. Information technology was "much more virtually mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push button into more scary elements, particularly towards the end of the first season.^[34] The brothers had wanted to avert whatever computer-generated effects for the monster and other parts of the serial and stay with applied effects. However, the six-calendar month filming time left them piffling time to plan out and exam practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such equally when the monster bursts through a wall, they opted to utilise digital effects. Post-product on the start flavour was completed the week earlier it was released to Netflix.^[xv]

The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black groundwork as they slide into place inside the title. The sequence was created by the studio Imaginary Forces, formerly role of R/GA, led by artistic director Michelle Doughtey.^[45] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, merely prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy groundwork music for the titles, as well every bit the diverse volume covers from King and other authors that they had used to institute the title and imagery, and were looking for a similar approach for the show'due south titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They besides got input from Dan Perri, who worked on the championship credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the bear witness, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming, and took about a month off during the filming process to permit the producers get immersed in the bear witness and come back with more input. Initially they had been working with various fonts for the title and used close-ups of the best features of these fonts, just most the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer generated, but they took inspiration from testing some practical effects, such equally using Kodalith masks equally would have been washed in the 1980s, to develop the appropriate filters for the rendering software. The private episode title cards used a "fly through" approach, similar to the film Bullitt, which the producers had suggested to the studio.^[46]

Music [edit]

The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.^[47] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.^[48]

Co-ordinate to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Chant" for the mock trailer that was used to sell the show to Netflix.^{[47] [49]} One time the show was dark-green-lit, the Duffers contacted Survive effectually July 2015 to ask if they were all the same doing music; the two provided the product squad with dozens of songs from their band's by to gain their interest, helping to land them the role.^[47] In one case aboard, the ii worked with producers to select some of their older music to rework for the show, while developing new music, principally with grapheme motifs.^[49] The two had been hired before the casting process, and then their motif demos were used and played over the actors' audition tapes, aiding in the casting choice.^{[49] [50]} The show's theme is based on an unused work Stein equanimous much earlier that ended upwards in the library of work they shared with the product staff, who thought that with some reworking would exist good for the opening credits.^[47]

The first flavour'due south original soundtrack, consisting of 75 songs from Dixon and Stein carve up across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and nineteen, 2016 for the ii volumes, respectively, while retail versions were available on September 16 and 23, 2016.^{[51] [52]}

In addition to original music, Stranger Things features menstruum music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.^{[52] [53]} In detail, The Clash'south "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Volition is trying to communicate with Joyce from the Upside Down.^[52] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.^[54]

Release [edit]

The outset flavour consisted of forty minute long episodes which were released worldwide on Netflix on July xv, 2016,^[55] in Ultra Hard disk 4K and HDR.^[56]

Home media [edit]

The first season of Stranger Things was released on a Blu-ray/DVD combo pack exclusively to Target retailers on Oct 17, 2017, and the same for the 4K/Blu-ray combo pack on Nov xv, 2017, both of which includes vintage CBS-FOX VHS-inspired packaging.^{[57] [58]}

Stranger Things
Fix details		Special features
Format: AC-3, Blu-ray, DTS Surround Audio, Dubbed, NTSC, Subtitled, Widescreen Language/Subtitles: English, Spanish 2:one aspect ratio 4-disc set, 8 episodes		Comes with a collectible affiche not available for purchase separately from the set. Retro packaging designed to look like a vintage CBS-FOX VHS cassette record.
DVD release dates
Region i		Region 2		Region 4
October 17, 2017 (Blu-ray/DVD) November 15, 2017 (4K/Blu-ray)		TBA		TBA

Reception [edit]

Audience viewership [edit]

As Netflix does not reveal subscriber viewership numbers for whatever of their original series, Symphony Technology Group compiled data for the flavour based on people using software on their phones that measures television viewing by detecting a program's audio. According to Symphony, within the first 35 days of release, Stranger Things averaged ratings effectually 14.07one thousand thousand adults between the ages 18–49 in the United States. This made information technology the third most-watched flavour of Netflix original content in the U.Due south. at the time backside the first flavor of Fuller House and quaternary season of Orange Is the New Black.^[59] In a September 2016 analysis, Netflix found that Stranger Things "hooked" viewers by the 2nd episode of the first flavor, indicating that the second episode was "the first installment that led at least 70 percent of viewers who watched that episode to complete the entire outset season of a show."^[threescore]

In August 2017, the marketing analytics house Jumpshot adamant the season was the 7th-most viewed Netflix season in the first 30 days afterwards it premiered, garnering slightly more than 20% of the viewers that the second season of Daredevil received, which was the most viewed season co-ordinate to Jumpstart. Jumpshot, which "analyzes click-stream data from an online console of more than than 100million consumers", looked at the viewing behavior and activeness of the company's U.S. members, factoring in the relative number of U.Southward. Netflix viewers who watched at least one episode of the season.^[61]

Critical response [edit]

Review aggregator Rotten Tomatoes gave the starting time flavour an approval rating of 97% based on 87 reviews and a weighted boilerplate score of eight.1/x. The site's critical consensus states, "Exciting, heartbreaking, and sometimes scary, Stranger Things acts every bit an addictive homage to Spielberg films and vintage 1980s television."^[62] Review aggregator Metacritic gave the first season a normalized score of 76 out of 100 based on 34 reviews, indicating "generally favorable reviews".^[63]

IGN gave the score of 8 out of x and called the serial "Swell" saying, "Stranger Things is an easy recommendation, offering viewers an atmospheric and endearing serial that is a nostalgic throwback without feeling like a simple copy."^[64] In a review of San Francisco Chronicle Dave Wiegand wrote: "Stranger Things reminds the states of a time marked by a kind of no-strings escapism. And as it does then, we find ourselves yearning for it because the Duffers have fabricated it then irresistibly appealing. There may be other equally bully shows to watch this summertime, but I guarantee you won't accept more fun watching any of them than you will watching Stranger Things."^[65] Joshua Alston of The A.V. Club also reviewed it positively maxim, "Balancing style and substance is ever challenging for a series like Stranger Things, but the show is perfectly calibrated. It feels like watching a show produced during the era in which it's set, only with the craft of today'south prestige television."^[66] Reviewing for HitFix, Alan Sepinwall said, "Over the course of the eight hours, the story and characters take on plenty life of their ain so that the references don't feel cocky-indulgent, and then that the serial can exist appreciated even if y'all don't know the plot of E.T. or the championship font of Stephen King's early novels (a huge influence on the show'south own opening credits) by heart."^[67]

Emily Nussbaum of The New Yorker also applauded the series and wrote, "This is astoundingly efficient storytelling, eight hours that pass in a blink, with even minor characters getting precipitous dialogue, dark humor, or moments of desolation."^[68] Television critic Mary McNamara of Los Angeles Times said, "For the virtually role, and in accented defiance of the odds, Stranger Things honors its source material in the best way possible: By telling a sweetness 'n' scary story in which monsters are real but so are the transformative powers of beloved and fealty."^[69] The Wall Street Journal 's Brian Kelly said, "Matt Duffer and Ross Duffer, brothers and the show's creators, have washed their homework when it comes to '80s cinema. Whether yous're a fan of John Carpenter's The Thing or The Goonies is more your speed, in that location's enough to like in Stranger Things."^[70] Angus McFadzean of Columbia University Printing compared Stranger Things to The Goonies, Stand up By Me, Russkies, and Due east.T. the Extra-Terrestrial.^[71]

[edit]

Shortly subsequently its release, Stranger Things gained a dedicated fanbase. One area of focus from these fans was the grapheme of Barb, the nerdy friend and classmate of Nancy who is taken and killed by the monster early in the season.^[72] According to actress Shannon Purser, Affront "wasn't supposed to be a large deal", and The Duffer Brothers had not gone into great detail virtually the character since the focus was on finding Will. However, many fans sympathized with the character, with Laura Bradley of Vanity Off-white suggesting that these people institute that Barb would be a similar misfit in guild, and "looks more than like someone you lot might actually meet in real life" compared to the other characters, particularly Nancy, in the series. A hashtag "#ImWithBarb" grew in popularity later the serial' release, and several fan sites and forums were created to back up her.^[73] While Purser will non return for the second season, The Duffer Brothers used the existent-life "Justice for Affront" movement equally inspiration for narrative at the showtime of the second season, with Nancy addressing the fact "that no one always cares about" Affront.^[74] Purser and several media outlets took her nomination as Barb for Outstanding Invitee Extra in a Drama Series in the 69th Primetime Emmy Awards as achieving "justice for Barb", highlighting how well her graphic symbol was received.^{[75] [76] [77]}

Another bear on of the serial has been an increase demand for Eggo waffles, as they are shown to exist Eleven'due south favorite food in several episodes and are seen as a representation of the show.^[78] The Kellogg Company, which manufactures Eggo, had not been part of the product prior to the first season's release, but recognized the market touch of the series. It provided a vintage 1980s Eggo television advertisement for Netflix to use in its Super Basin LI commercial, and is looking to become more than involved with cross-promotion.^[79]

United States Representative David Cicilline compared the state of the nation during the presidency of Donald Trump to that of Stranger Things during a speech given in Congress on February 16, 2017, using a sign "Trump Things" in the same format as the championship menu of the prove and maxim "Like the main characters in Stranger Things, we are at present stuck in the Upside Down".^[80]

Every bit office of its release on Netflix on April fourteen, 2017, the cast of the rebooted version of Mystery Science Theater 3000 riffed on the first function of "Affiliate 1" of Stranger Things.^[81]

Accolades [edit]

References [edit]

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External links [edit]

• Stranger Things on Netflix
• Stranger Things at IMDb

winfreyfiass1976.blogspot.com

Source: https://en.wikipedia.org/wiki/Stranger_Things_%28season_1%29

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